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But there were exciting themes that continued to prevail in each conversation; points about authenticity, about methodology as an artist, the importance of verse throughout the history of the arts, what it means for new voices to continue pushing into the Broadway realm, and things like what vegetable would be the best playwright if vegetables wrote plays.
Are people surprised by how much the Hip Hop artists know about Broadway? Are we about to re-experience the real VS fake dialogue that the early 90s Hip Hop scene, but with Broadway shows?
You mentioned that BARS could be a kind of portal portal being defined as a doorway, gateway, opening etc. How would you define a portal in this context as it relates to BARS? We just bring our skill sets like ingredients. Some people can rap, some can sing, some can write, some can do all of the above. The mutual ground is the love for pushing the boundaries of the forms, of using verse to tell heightened stories, and to see what new configurations of language can emerge when dope people get together to do dope shit.
Portals are often connected to light how light gets in, how light shines through, etc. How does BARS provide a portal to performers and in what ways have you seen performers find new openings from this experience? I had a cohort member tell me that the workshop changed the way she approached art, and that she felt a whole new world of possibilities had opened up to her.
Sometimes we just need a space that gives us permission to be the best, most full version of our artistic selves, and we flourish. Fate desperately seeks her Abusive Mom 's approval in the first season. She never does get itbut she overcomes her insecurities after being befriended by Nanoha and Happily Adopted by Lindy. Subaru in StrikerS is all about recognition and approval from Nanoha, who saved her life as a child and whom she has idolized ever since.
Her ultimate wish is granted at the end of the season, when she evacuates Nanoha from the Saint's Cradle—granted, the Ace of Aces would have probably found her way out on her own, but Nanoha was happy to be rescued by Subaru, nonetheless, because she knew how much closure this would bring to her faithful student and fangirl. Subaru's attitude towards Nanoha contrasts in an interesting manner that of her partner Teana's, who starts off with an outright Rage Against the Mentor but mellows down eventually to a sort of Friendly Rivalry with her.
Tea doesn't seek Nanoha's approval, she seeks to beat her at her own game the shooting magic — and, ironically, earns a lot of respect from her this way without even realizing. Unusual example in Mahou Sensei Negima! Negi really wants his father's approval and in volume one even uses the exact words "well done" when talking about what he wants to hear from his father.
On the other hand, his father is a Disappeared Dad rather than emotionally absent. The Mazinger trilogy treated this trope in a pretty tragic fashion: One of the reasons Sayaka from Mazinger Z could be so prideful, impulsive, hard-headed and obsessed with showing off was to get some measure of praise and acknowledgement from her Married to the Jobcaring-but-emotionally-distant father.
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Unfortunately it did not work very well. In spite of all times she risked her life, Gennosuke Yumi rarely gave praise. The case of Tetsuya Tsurugi from Great Mazinger was much worse. He was an orphan with a ton of abandonment and self-confidence issues. He constantly and gleefully risked his life on a daily basis by riding a Humongous Mecha to fight ancientgiant monsters from Beneath the Earth so his adoptive father approved of him.
Kenzo actually was proud of him, but he hardly thought of telling Tetsuya that, being more concerned with disciplining him when Tetsuya did or said something stupid and since Tetsuya was a Jerkass Woobie and an Idiot Heroit happened frequently. Because of this, Tetsuya was always frightened to death of losing his father if he was not good enough, and he suffered a breakdown at the end of the series when he thought it might happen.
Minister Zuril, one of the Co-Dragonshad a son obsessed with proving his worth to his father, even jeopardizing his life. However, Zuril was proud of him and tried to make him aware of that fact and he did not want him risking his life. Unfortunately, his son did not listen.
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He kept being obsessed with earning his father's approval, and finally he committed a Heroic Sacrifice to save his father's life. Zuril became very cold and fatalistic because of it. Subverted in Men's Love. Everyone who knows just who Daigo's father is assumes this is why Daigo works so hard. Actually, he just wants to take care of his mom and doesn't even view his dad as a parent, just a difficult employer.
However, he's also extremely inexperienced and knows he got his spot in the Zabi hierarchy only because he's Sovereign Degwin's favorite son, so this soon leads to an obsession with proving his own worth to his older and more competent siblings especially Lady of War Kycillia and his best friend Char Aznable.
Which brings him to his downfall. Another very dramatic example in the Gundam series, more exactly Mobile Suit Gundam After her whole family is brutally killed, Louise Halevy joins the A-Laws to avenge them. When she does get her revenge by killing their murderer, she has an Heroic BSoD where she pleads for their souls to acknowledge her worth, then cries.
He's the only person Olba respects and cares for, so he deeply strives to be seen as a worthy person by him. And more than anything, his almost blind faith in ZAFT, which his father founded.
It's the basis of most of his actions in the early part of Destiny.
Meer Campbellalso from Destiny, wants to have the approval of the woman she's impersonating per orders of Chairman Dullindal, Lacus Clyne. In Gundam WingQuatre Raberba Winner grew up believing that his distant father had him created in a lab like his twenty-nine older sisters and that he was just a disposable commodity.
When he is brought home by after a period of floating injured and unconscious in space, his father lives long enough to reject him once more before rebelling against the colony government and dying. Quatre's mental breakdown triggers the next major arc of the series. Asemu Asuno, the protagonist of the second generation of Gundam AGEdeeply loves and admires his father Flit and spends a lot of time and angst trying to win his praise and be as good of a Gundam pilot.
Unfortunately his lack of X-Rounder aptitude and Flit holding him at an ever-increasing distance once Asemu joins the military, and Asemu begins looking towards Woolf as a mentor instead. Naruto is rife with this. As a child, Sasuke constantly pushed himself to be the best in his class and get his father Fugaku's attention until, you know, his brother killed his entire family.
His relationship with said brother is also like this — even after Itachi was believed to have slaughtered the entire clan. Hinata Hyuuga, resident Shrinking Violet and Unfavorite of her clan, also desperately seeks approval from her father. She gets her "Well Done, Daughter! And for the last few: Naruto constantly seeks Sasuke's approval. Rock Lee seeks the approval of Might Guy, who seeks the approval of Kakashi, who seeks the approval of his dead friend Obito.
Young Gaara started out seeking the approval of anyone who would give it to him, but nobody did. During the Chunin Exam arc, it seems like at least half of the characters are trying to get some teacher or rival to acknowledge their worth, and the rest are trying to get their crushes to acknowledge their worth. Naruto gets his "Well Done, Son!
To their credit, they both had a perfectly legitimate reason for not giving their approval sooner It turns out to be a case of It Runs in the Family: Naruto and Hinata's son Boruto is probably the epitome of this trope In-Universe.
Having a great childhood with his family — especially in comparison to the hell that both of his parents went through when they were his age — Boruto's life turns upside down when Naruto is appointed as Hokage. Losing his hero's attention and feeling distant to him, Boruto does everything to spend time with his father, even acting out just so he could be lectured by him.
On the other hand, his accomplishments are overlooked due to being the son of Naruto and this makes him feeling inadequate and insecure, even though he's a prodigy. He doesn't want to enter Chuunin Exams until it's pointed out to him that his father would be watching him. During the exams, when he receives a "Well Done" from his father for passing the test, he is moved to tears.
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This desperation to keep his father's acknowledgement drives him to cheat. And it goes without saying, everything ends in a fiasco. His last words before his head gets chomped are "sorry [for all that crap I put you through], Shinji. Asuka is a Gender Flip of the trope. As a young child, she desperately sought her mother's approval of her being selected as an Eva pilot. The problem is that by that time, her mother was too insane to even recognize Asuka as her daughter, much less give her praise.
This is because much of her personality was transferred to EVA, where her will only really gets to manifest itself through Humongous Mecha action; Asuka catches on, but only near the bitter, bitter end, where otherwise nothing good is happening to her This trope is still obviously present in Rebuildalthough Gendo and Shinji are shown to actually try to reconnect.
They've made only a bit of progress with Shinji being stunned by the first bit of praise he's ever received from his fatherbut it's Eva, so even this much is significant.
In NoragamiYato, being a god, survives on praise, and so eagerly committed mass murder at his father's behest because it was the only way he knew how to get praise, earning him the title of "God of Calamity". After Sakura taught him that he could earn thanks from people by helping them rather than having to rely solely on his father's praise, he made it his mission to become a God of Fortune instead and help anyone who needed it.
Most of Haru's problems in Ojojojo can be traced back to her need to make her father proud of her despite the fact that he is proud of her. This is best shown in his first appearance when she nearly agreed to an Arranged Marriage despite him explicitly telling her that she didn't have to go through with it.
A younger Luffy wanted to be friends with Ace, the older kid living with him, and Ace's friend Sabo, who found him to be a weak, annoying crybaby, and lead him into tons of deadly situations to escape him, but he kept coming back.
Eventually, Luffy shows how tough he really is, and they become brothers. She left Sinnoh for Kanto and hasn't talked to her since. Ruby is more interested in sewing and contests than battling, however his father is gym leader.
Chibi-Usa and Usagi's relationship in Sailor Moon does not seem to be like this, as they treat each other like squabbling siblings most of the time. Chibi-Usa's relationship with her dad King Endymion future! Mamoru is very much Daddy's Girl -like, but she half-loves Serenity like the good mom she is and half-idolizes her to the point of inferiority complex.
In Saiunkoku MonogatariLi Kouyuu, who is actually very accomplished for a young man, desperately wants to be helpful to his foster father Kou Reishin.
Nodoka's father seems to disapprove of her playing mahjongsaying that it's nothing more than a game of luck and that the friends she makes are of no use in a "hick town" like the one she lives in. She seems to want him to approve of her playing mahjong, at least to the extent that he will allow her to continue attending school at Kiyosumi. Nodoka herself has Maho Yumeno, a kouhai who is striving to get Nodoka's approval, and while she tries to emulate Nodoka, Saki and Yuuki's play styles, she often makes many basic mistakes.
As such, Nodoka does end up having to scold Maho, upsetting her, although she acknowledges Maho's efforts.
"Well Done, Son!" Guy
Jouichiro is this to Erina. He was the one who taught her to love food and cooking, and was the chef she strove to impress. Funnily enough, Jouichiro's relationship with his son Soma is somewhat vitriolic mainly due to Jouichiro's immaturity and Soma's extreme competitiveness but loving, supportive and significantly less dysfunctional than most shonen manga father-son relationships. Flashbacks in Skip Beat! In Soul EaterKid appears to have his father Shinigami as this. It's mentioned several times that he's Death's heir and as such a lot is expected of him.
If he's worrying about something that isn't symmetry, it's being good enough as a death god himself, and his father's where he gets his ideals and expectations from.
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Would certainly explain his reckless determination to chase after Mosquito, one occasion where his idiocy could not be blamed on his OCPD-like thing. Unlike some other examples, Shinigami has a casual and positive attitude towards his son, the main problem here is that the two rarely talk.
Medusa is also this to Crona, being the one person the child 'relies' on and wants to please. Unlike Kid and Shinigami, it's never going to work. It worked and backfired spectacularly much to Medusa's delight apparently. Later on, Barnaby starts feeling this way in respects to Kotetsu.
I just aspire to be someone worthy of his trust. In TsukigasaKuroe starts crying when his dad unexpectedly forgives him for running away. In Umi no MisakiShizuku puts her all into being a proper cape maiden to try to get her mom - a previous cape maiden - to approve of her.