dekhiye aap ne phir pyar se dekha catchsomeair.us Subah Hogi_Sahir..a tribute
Amir mera name dilshad he me mumbai se ho mere hasband ne property ki wjh I belong to poor family and i know that if i shall want to meet him than police man .. Tr tumhi ek samanny nagrik asun Sarkarne ase konte kathor paul uchlave ki From Ajander singh ludhiana Amir Sir Aapko satyamev jayate ka sujhav. Raj Kapoor's-Mera Naam Joker, which he had made in two parts, had besides Soviet She played Radha, a hospital nurse employed by a progressive exchange between Sita Devi and Preetam when they first meet and after . Driver (); Teri Duniya Mein Jeene se Behtar Ho Ki Mar Jaayen-House. Very nominal fee is charged for the hospital services to partially meet the hospital .. Neechai ooch kare mera gobind, kahoo ten a darai these are opening and concluding words Shabad Meri preet Gopal son jan ghatae ho! Kindly accept me as Your Swas swas tujh Naam sambharoun, tumhi bhaint mam man.
Talking of stories and writers taking advantage, reminds me of an incident proving how much interest our producers take in the stories. Reading a short story in a foreign journal, a story writer of Bengal considered it good enough material for a feature film, and sold it to a Bengali producer as his original work. The film when made, proved to be a success, A Madras producer, who happened to see the film in Calcutta liked the subject, and made a Tamil film on the same.
To his dismay, the film was a miserable flop. However, the Tamil version of the story was seen by a Bombay producer, who found the story fascinating. The Bombay producer was surprised, when his south Indian counterpart from whom the Hindi film maker had lifted the story approached him for permission to produce a Tamil version of the film. The character was that of a local Christian of Bombay and it became immensely popular because of his language and mannerisms and was a rage through out the country.
In fact it made the Bambaiya Hindi popular all over the country. An interesting fact to know was that Anthony Gonsalves was actually inspired from a man of the same name who used to live in Khetwadi, an area in Mumbai where Manmohan Desai also lived. His unique mannerisms had always impressed Manmohan Desai, who decided to incorporate this in his film. According to Desai, the film was inspired by a news item about an alcoholoic who regularly beat up his wife.
One day, the disraught woman, abandoning her three small children on the kerbside disappeared. This gave Desai the idea to show each one growing up in three religious households, Hindu, Muslim and Christian. From this germ of an idea, the film grew into an incredibly implausible yet highly absorbing tale. Escapism is part of experience when viewing a Manmohan Desai film, and this film is filled with it.
There is many a moment that makes this film so memorable. The scene where Amitabh is drunk and is applying the medicine on the mirror to his reflection is by far is the best potrayal of a scene of this kind and continues to inspire many actors till today. The action sequence between Amitabh and Vinod Khanna with both of them in their vests, resulting in Amitabh getting thrashed are some of the few nostalgic moments.
The wearing of vests by the two of them was largely merchandised through press and hoarding form of advertising and was visible all over the country. Apart from this, the scene where Amar Akbar and Anthony are introduced as they simultaneously donate blood to their mother, highlights the vision of the director and his ability to successfully carry off even the most illogical situation convincingly. The dialogue of Anthony are however the icing on the cake.
The language had become an integral part of every home then and continues to be widely spoken and remembered even today. The film also has Vinod Khanna, an honest police officer and Rishi Kapoor, a qawwali singer in the other lead roles of Amar and Akbar respectively; both of whose characters lent able support to the script. The film does bring out a sense of communal harmony with the brothers being brought up as followers of different religions.
The actresses in the female lead are however placed as mandatory requirements to the film, Parveen Babi, Shabana Azmi and Neetu Singh basically fulfil the requirements of glamour and romance. It won the first Filmfare award for the best actor for Amitabh Bachcchan. Amar Akbar Anthony remains a cult for fans. The film also marked the beginning of the successful team of Manmohan Desai and Amitabh who went onto do films like ParvarishSuhaagNaseebDesh PremeeCoolieMard and Ganga Jamuna Sarawati And then there were and are those, who do not have to look out for stories, as they make films on historical and mythological themes only, for example, Ram Rajya, Mahabharata, Ramayana, Jahanara, Noorjehan, Sikandar, Taj Mahal, etc and famous love legends like Laila Majnu, Shirin Farhad, Soni Mahiwal and Heer Ranjha.
Not that everyone ignored the story element. It was the story of two brothers, one a dacoit and the other a police officer. Dilip shared the stellar roles with his younger brother Nasir Khan. The female lead was played by Vijayantimala. It was directed by Nitin Bose. Exquisitely pghotographed by V Babasaheb, Ganga Jamuna is perhaps one of the finest examples of Indian Cinematography.
It gave a new language to the Indian Cinema, and what this film achieved has not been paralleled by any other Hindi film so far. Nayar who had earlier directed Sadhana s debut film Love in Simla. He later married Sadhana. But to be fair to Sadhana she was more than just a glamour doll and was a talented actress as well with a fine gift of understatement.
Mukherjee cast her opposite son Joy in Love in Simla and with its success, Sadhana became a star, a youth icon. Sadhana responded with perhaps the best performance of her career.
It was her first film in colour and she never looked better! Sadhana was then seen in a series of films that set the box office on fire-RajkumarWoh Kaun ThiWaqtMera SaayaArzoo making her the most saleable heroine of the 60s. She married her Love in Simla Director R. Nayyar the same year But during the making of Arzoo, her thyroid problems worsened and her eyes, perhaps the most beautiful feature of her face, got affected and began bulging.
She was unceremoniously removed from major films like Around the World and Sangharsh starring Raj Kapoor and Dilip Kumar respectively. Undergoing treatment in Boston, she came back to films and some of them even were big successes-Inteqam and Ek Phool Do Maali both with Sanjay Khan but the earlier magic was missing.
Though the film was a commercial success, it did not have any outstanding cinematic value. It was based on the famous Indian love legend of the same name. Priya Rajvansh, had been introduced in Haqeeqat. She was cast as the lovely Heer. Incidentally, Priya, whose real name was Vera Singh, was a first class graduate from the Royal Academy of Dramatic Arts, London and as reports have it, she had been murdered sometime back by Chetan Anand s sons in a joint property dispute.
Shantaram, a pillar of the Indian film trade, somehow during this era, lost his Midas touch, and had not been able to make mark lately. All his films during the era had an overdose of melodrama, and were outdated in technique. Another reason for his downfall, could be attributed to, the fact that, he had not changed his style, and people are tired of seeing the same things presented in the familiar way, film after film. The Popular Cinema During the s, popular cinema had shifted its social concerns towards more romantic genres, showcasing such new stars as Shammi Kapoor-a kind of Indian Elvis-and later, Rajesh Khanna, a soft, romantic hero.
The period is also notable for a more assertive Indian nationalism. Gradually in the early sixtees it ventured slowly into production. Rajshri, the sister, on whose name the the banner was floated and their palatial residential bunglow on worli sea face was named, was married off at a very young age and lived in Rajasthan — away from the glitter of the film world. Today it is the one of the largest congolomerates in the show-biz. Rajshri as producers have produced 49 films so far, and are considered to be a banner providing wholesome and musical family entertainment.
No rise or fall of a star has been as been quite as dramatic or spectacular as that of Rajesh Khanna. From tothe Rajesh Khanna phenomenon swept The Hindi Cinema off its feet and the hysteria he generated was unlike anything seen before and after.
Born Jatin Khanna, he was the adopted son of his parents. His earlier films however did nothing for him till Aradhana came along. Released in NovemberAradhana made Rajesh Khanna a star. In the double role of a father and son, both air force pilots, Khanna cut a most dashing figure in uniform. His mannerisms-the crinkling of his eyes and shake of the head asking the heroine to come to him found instant favour with the audience and aided by such S.
Thereafter tillit looked like Rajesh Khanna could do no wrong. But there was more to him than just his mannerisms as he built the image of a vulnerable, gentle romantic. In films like KhamoshiSafar and Anandhe came up with sensitive performances straight from the heart.
- dekhiye aap ne phir pyar se dekha mujhko..Phir Subah Hogi_Sahir..a tribute
- Ravi Raj 3b1 mohali school
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Anand saw perhaps his greatest ever performance as a man stricken with cancer but wanting to live life to the fullest before he dies. Tragedy is when audiences cry. As Khanna went from strength to strength, even a guest appearance in Andaaz generated more hysteria than the hero of the film Shammi Kapoor. In fact symbolically this represented the end of the Shammi Kapoor era and the peak of the Rajesh Khanna era.
With Hrishikesh Mukherjee, he gave fine performances in Bawarchi and Namak Haram ably carrying both films on his shoulders. Basu Bhattacharya was one of the most well-known exponents of good cinema in Bombay. Whatever the quality of his films might have been critically his own individuality was reflected in his films.
He tried to connect the mainstream Bombay films to the more artistic and socially aware cinema. From his family came the priests to the royal family of Cossimbazar and that would have been his future as well. After being educated in Berhampur and Calcutta, his interest in films took him to Bombay. Inhe started his movie career as an assistant to Bimal Roy in Madhumati and Sujata. His first independent directorial venture was Teesri Kasam produced by the poet-lyricist Shailendra.
But the creative artist and sensitive poet remained artistically dissatisfied he chose a very beautiful subject, a story Teesri Kasam by the Hindi author Phaniswarnath Renu. Together with Basu Bhattacharya he wanted to present a refined and a redefined entertainment. Hiraman, a simpleton bullock-cart-driver after two misadventures and the two initial vows is forced to transport a nautanki dancer to a remote destination.
In the course of the journey, he gets acquainted with the dancer Hirabai, forming a relationship as Mita; or namesakes. Simple and uncomplicated Hiraman sees her as a pure and virtuous woman and she in turn is charmed by his innocence and lack of guiles. Their relation, their world is short lived like the journey. Waheeda Rehman was perfectly cast as Hirabai but it was difficult to imagine the fair- complexioned Raj Kapoor as the rural Bihari cart-driver.
Inspite of the critical acclaim in garnered and memorable music by Shankar Jaikishen the film was a box office disaster. A financially ruined Shailendra died very soon. Bimal started as a cameraman in the New Theatres, Calcutta.
Amritbani. Satguru Ravidass Maharaj Ji (Steek) Nishan Sahib of Ravidassia Dharam
Later he moved to Bombay and successfully adapted literary themes like Parinita, Kabuliwala, Sujata and Bandini.
He took stars and made them act effectively. He also understood music well and blended many beautiful songs composed by Sachin Dev Burman and Salil Chowdhury into his films. The soft tone and lighting of his films were matched by his delicate story-telling and refined sensibilities. Along with Guru Dutt he made lyrical and poetic films and were the major icons of the sixties.
Hrishikesh Mukherjee and Gulzar at the vanguard of the movement. Basu was now to explore the world of man-woman relationship with Amar and Manasi, the eternal man and woman at its epicentre. Basu was now to venture on the Amar-Manasi trilogy which would take a look at modern, urban marriages and its fragile nature and its inherent contradictions.
Anubhav was the first one of the trilogy with the lead pair Sanjeev Kumar and Tanuja. In between moments of love and understanding, there is a conflict which arises out of ego- clashes between two assertive individuals.
The husband expects his wife to play a subservient role in the marriage while the wife opposes the egoistical male dominance. The haunting songs were rendered by Geeta Dutt and Anubhav was her swan-song. The next film Avishkaar had in lead the then successful star-pair Rajesh Khanna and Sharmila Tagore who played a couple very much in love and marry against all odds. The husband tries to befriend another woman but then returns to his wife. They realise they had not understood each other in totality and fully and they accept each other with their short comings.
Rajesh Khanna won the Best Actor trophy at the Filmfare awards. The third film was about an extramarital relationship. Uttam Kumar was to play Amar in Grihapravesh but he left the project after a difference of opinion with the director and was replaced by Sanjeev Kumar. Sharmila Tagore was to play the wife Manasi and Sarika the other woman Sapna.
The wife remains content with her humdrum middle class life and penny pinches to save in order to buy a new house and move out of the rented one.
The husband is pursued by his attractive and younger colleague and finally gets seduced by her after his initial aloofness. After the painful realisation, wife gets the act together by painting the peeled off walls and dolls up glamorously. She invites the girl over to her home and assuredly presents a picture of a happy and a working marriage.
The girl is confronted by this facade and becomes unsure whether this awkward and domesticated man is the person she loved and turns back. This trilogy is about claustrophobia in a marriage and reconciliation emerging from growth and maturity and a sense of responsibility. The trilogy would be remembered inspite of its inherent superficiality as it explored urban middle class marriages against the changing nature of consumerist society.
All the three films were made under his banner of Aarohi films. He cast Sharmila Tagore with Gulzar as Sukanta. But the project had to be abandoned. He then made a breezy comedy Tumahara Kallo set in the rural milieu with a fresh pair in the lead.
Most of his later films like Panchavati did not get a theatre-release or he himself did not release the final product as in Anand Mahal starring Vijay Arora-Sarika. He made a TV serial Anweshan and a documentary on the Jnanpith award winning Punjabi writer Amrita Pritam, sponsored by the Sahitya Akademi-Astha followed by a a film called Daku starring Kabir bedi-Bindu which was specially written for him by Amrita pritam and a documentary earlir on indira Gandhi.
After a long gap Basu returned to films, but had to conform to declining audience tastes and made Aastha. It is about an acquisite housewife played by Rekha who is sexually repressed and dissatisfied in her relationship with husband Om Puri. She take to part time prostitution to buy trifles. The film lacked depth, substance or any convincing psychological probe. It became an instant hit due to its explicit and voyeuristic love making scenes. Basuda passed away at Lilavati hospital in Bombay following a heart-stroke.
It is reported, by the end of his life, he was a lonely and disillusioned man. With his tall and lean looks, Amitabh became emblematic of the new kind of action hero. Every hero fell to the Amitabh onslaught and Rajesh Khanna was no exception. And to top it all, even his marriage to Dimple was on the rocks and subsequently she left him and resumed her acting career with much success.
Though Amardeep and Thodisi Bewafayi brought Rajesh Khanna some reprieve, it was the triple success of Agar Tum Na HoteAvtaar and Souten that proved to be the last strong flickers in a dying flame.
Amritbani. Satguru Ravidass Maharaj Ji (Steek) Nishan Sahib of Ravidassia Dharam - PDF
In the s with his film career all but over, Rajesh Khanna entered politics and even served a stint as Member of Parliament with the Congress-I Party. The political and economic upheaval of the following decade saw a return to social questions across the board, in both the art and popular cinemas. Establishing Amitabh Bachchan as the biggest star of the next decade, its policeman hero is ousted from service through a conspiracy, and takes the law into his own hands to render justice and to avenge his deceased parents.
It was as if the state and the people had split apart. As the cities grew, so did the audiences. The popular cinema generated an ambiguous figure to express this alienation.
At the level of images, there was a greater investment in the stresses of everyday life and, unlike the s, in location shooting. The film also exploits popular religious sentiment.
Bachchan is an atheist but he has blind faith in the miraculous power of the numberthe number of his badge as a dockworker.
School is affiliated to CBSE. It is a co-educational boarding and day school from class pre-nursery to XII. It offers ventilated classrooms, three laboratories with the latest equipment, well furnished computerized library with more than books, three computer Labs, 2 huge audio — visual rooms with 2 multimedia projectors, a Medicare Unit, Home Science Lab, Music-cum-Dance room, Digital Labs English, Social Science and Maths and Computers available for all classes.
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It offers five excellent laboratories. The School is considered one of the most reputed and best Convent Schools of Chandigarh. It is affiliated to ICSE. Cultural activities are integral part of the School routine with regular house competitions culminating during the Annual Sports Day.
The school is affiliated with ICSE board. School delivers many toppers among the region in ICSE board exams. It has the best facilities for their all-round development.
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Top Schools in Punjab: Here is a complete list of the top schools in Punjab with a brief overview of their specialities and what makes them special: Brij Mohan Lall laid the foundation stone of this institution on 2nd October, It has more than enrolled students. It has classes from nursery till XII which has total section. Nagar, Ludhiana Punjab came into existence in Presently the school boasts of a multi storeyed building with facilities for training in various games, co-curricular activities along with quality education to meet the demands of the present age.
Currently more than students are enrolled with the school in classes Nursery to XII. It has got the approval of the C. E up to the senior secondary level. It is a Co-ed school. The institution is affiliated to the CBSE.
It is a Co-ed school from nursery to XII. Shishu Vatika of this school has an independent block and large playgrounds. The students after qualifying from the Shishu Vatika are promoted to Class-1 of this school. The School is situated on the main Rajpura Humbran Road on land measuring 5. It is affiliated to ICSE board. This school affiliated to CBSE board. It provides education from pre-nursery till XII standard.
It is affiliated to C. It is spread over an area of nearly square yards. The campus has extensive lush green lawns, flower beds and lots of greenery.
The school was established in and is now one of the premier institutions of India. It has a team of about members of staff; both teaching and non-teaching and more than students. For lists of other top 10 schools in other states and cities kindly subscribe my channel and see my videos section. How to apply for jobs in Canada - Apply Now! Manitoba Provincial Nominee Program How to apply for the MPNP https: