Red nichols meet the 5 pennies capitol stereo

Red Nichols - Wikipedia

53 records RED NICHOLS & MIFF MOLE: jazz classics in digital stereo CAPITOL VG+. $ (Mono) Image for RED NICHOLS: meet the five pennies. Oct 14, Waxing Nostalgic: Red Nichols-Meet the 5 Pennies augmented Pennies. This was one of my favorites of Red's Capitol lps as a young jazz fan. . Old Time Radio has several of his own radio shows on CD-it's very tasty. Red. In Nichols took his Five Pennies band to Las Vegas, to play at the Red Nichols & the Five Pennies at Marineland (Capitol T , ); Meet the Five .. [5] Career Radio Grayco got her first singing gig when she was eight years old .

They were different from Louis Armstrong 's Hot Fives of that period.

Red Nichols

Nichols' band started out with Mole on trombone and Jimmy Dorsey on alto sax and clarinet. It sold over one million copies, and was awarded a gold disc by the RIAA. In the next decade, swing eclipsed the Dixieland Nichols loved to play.

He tried to follow the changes, and formed a swing band of his own, but his recording career seemed to stall in Part of it was too much, too soon.

Much of his vast recorded output was released in Europe, where he was regarded by early jazz critics as the equal, if not the superior, of Louis Armstrong and Bix Beiderbecke.

RED NICHOLS & HIS 5 PENNIES - Avalon (1928)

People who make fools of themselves usually find a scapegoat, and when the critics were exposed to the music of Duke Ellington, Benny Carter, Coleman Hawkins and others they turned on Nichols and savaged him, trashing him as unfairly as they had revered him.

Nichols' chief fault was an overly stiff, academic approach to jazz trumpet, but he did recognize merit as far as other jazz musicians were concerned and made some wonderful small group recordings.

He led Bob Hope 's orchestra for a while, moving out to California. Nichols had married Willa Stutsman, a "stunning" George White's Scandals dancer, and they had a daughter. Their daughter came down with polio misdiagnosed at first as spinal meningitis inand Nichols quit a gig playing with Glen Gray and the Casa Loma Orchestraleaving the music business to work in the wartime shipyards.

Before long the word was out and musicians began showing up, turning his gigs into jam sessions. He toured Europe as a goodwill ambassador for the State Department. Nichols and his band performed briefly, billed as themselves, in the film Quicksandstarring Mickey Rooney.

He was only a few days into the date when, on June 28,he was sleeping in his suite and was awakened by paralyzing chest pains. In he and Miff Mole began a prodigious stint of recording with a variety of bands, most of them known as "Red Nichols and His Five Pennies". Very few of these groups were actually quintets; the name was simply a pun on "Nickel", since there were "five pennies" in a nickel.

Vinyl Album - Red Nichols And His Five Pennies - Meet The Five Pennies - Capitol - USA

During some weeks in this period, Nichols and his bands were recording 10 to 12 records. His recordings of the late s are regarded as the most progressive jazz of the period in both concept and execution, with wide-ranging harmonies and a balanced ensemble.

However, they were small-band Dixieland groups, emphasizing collective improvisation and playing. They were different from Louis Armstrong 's Hot Fives of that period.

Nichols' band started out with Mole on trombone and Jimmy Dorsey on alto sax and clarinet. It sold over one million copies, and was awarded a gold disc by the RIAA.

In the next decade, swing eclipsed the Dixieland Nichols loved to play. He tried to follow the changes, and formed a swing band of his own, but his recording career seemed to stall in Part of it was too much, too soon. Much of his vast recorded output was released in Europe, where he was regarded by early jazz critics as the equal, if not the superior, of Louis Armstrong and Bix Beiderbecke. People who make fools of themselves usually find a scapegoat, and when the critics were exposed to the music of Duke Ellington, Benny Carter, Coleman Hawkins and others they turned on Nichols and savaged him, trashing him as unfairly as they had revered him.

Nichols' chief fault was an overly stiff, academic approach to jazz trumpet, but he did recognize merit as far as other jazz musicians were concerned and made some wonderful small group recordings. He led Bob Hope 's orchestra for a while, moving out to California.

Nichols had married Willa Stutsman, a "stunning" George White's Scandals dancer, and they had a daughter.