you're the only one - My Big Gay Berserk Analysis 3 - My Big Gay Berserk Analysis 3
With the momentous desertion of his most trusted confidant Guts, however, Griffith beds Princess Charlotte on impulse, bringing about his imprisonment. it has been a while since I watched the show, but as I recall, Griffith was doing everything he could to keep a strong relationship between the. My Thoughts: Berserk | Why Was Guts So Important to Griffith? it is necessary to first understand Guts, and his relationship with Griffith.
I don't regret or feel guilty about it. But to risk thousands of lives while never getting my hands dirty It's not a dream that can be so easily realized! He's dangerously good at compartmentalization, closing off his heart to feelings of guilt and shame that would only get in the way of climbing to the top of the food chain. Unfortunately for him and everyone who believes in himhuman emotions don't work that way.
It's already hard for him to rationalize people dying for his dream, but Griffith's emotional turmoil escalates when he resorts to prostitution in exchange for funds to shorten the war effort. Outwardly, he reduces the lord who buys his body to nothing more than a pebble in his path, not worthy of any emotional reaction. But when he fails to literally wash the revulsion away, resorting to self-mutilation to transform the pain into something he can understand and repress, we clearly see the limits of his resilience.
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It's a painfully human moment, but it's even more disturbing to see him succeed at this repression. Casca is much more shocked by how quickly he regains control and becomes all reassuring smiles again than she is to learn what he did. And so should we be. At the time of Guts and Griffith's second duel, the war is already won. Enemies at court have been subdued or disposed of, and Griffith has been raised to the peerage.
It's all simple scheming and charming himself into the line of succession from here, with no further need for Guts' particular talents.
After years of idolization and success, Griffith has become used to the idea of himself as the infallible savior, detached from all those fragile humans he holds in the palm of his hand. But simply losing control over Guts isn't what causes him to lose his composure.
The first instance of inner monologue we get from Griffith marks this moment as Golden Age's peripeteiaforeboding the significance that Guts' departure will have on Griffith before he is even defeated.
We've seen Griffith show a side to Guts that he doesn't share with anyone, thinking it would be too much for even the other Hawks to handle.
With Guts, he can be honest, even going so far as to seek his approval on decisions. The best friendships form between self-sufficient people, and when Guts leaves to find a dream of his own and become truly self-sufficient, it turns out Griffith was the dependent one between them. Griffith's no good without you! He doesn't know his own heart because he so thoroughly perfected the practice of compartmentalizing his emotions years ago and never looked back. Because he never considered the possibility that he would care about someone else more than his dream, this suppression of his own human nature initiates his fateful demise.
While the remaining Hawks cling to the broken dream of someone they've lost but can't continue without, Griffith clings to one thing only during his long year of suffering: I've always found the idea that torture drove Griffith to an insanity that caused the Eclipse to be unconvincing. He doesn't get visited by the God Hand because he lost his mind, but because the wheels of causality are spinning faster after the point of reversal. Griffith is sane when his first instinct is to strangle Guts upon being rescued, giving up only when Guts begins to cry.
He's also sane when he resents Guts and Casca creating their own campfire without him, not knowing how much presence he still takes up in their minds. He's equally sane when he wants to end his life over all this pain but fails, and so I would say he's very sane when he makes the decision to sacrifice the Hawks. If the laws of causality dictate that man is only to be toyed with, then his child must confront his destiny by embracing evil. And to do that, we need to look at the arc omitted from both Golden Age anime adaptations: Berserk begins in medias res for several reasons, which are important to "appreciating" the events of the Eclipse.
Beginning the story with the Black Swordsman Arc hammers home the inescapability of fate that comes up incessantly throughout Golden Age. We already know that Guts and Griffith are doomed, and because of that knowledge, we can spend the Golden Age focusing on the question of if they are doomed no matter what they do.
While the anime series shows us the inevitable outcome, it withholds the crucial human aspect behind the bounds of fate. Fate is a deeply depressing concept because we feel ourselves to be free, our future to be open, and our will to be in control. We need to believe in free will, because if there were no such thing, how could anyone ever take responsibility for their actions?
So Berserk gives us the Count, a disgusting excuse for a former human being, who makes the choice to go to hell instead of sacrificing what he loves the most at a crucial juncture, erasing any doubt about Griffith's culpability in the Eclipse.
While Griffith is no mere Apostle, truly ordained for bigger things by the God Hand, he is still a man. Even if man is doomed to fate because he doesn't have full control over his own will, embracing evil because you can't handle fate's cruelty is still a choice itself. But it is the children of men who choose it.
Determinism doesn't exist on such a micro level in Berserkas the God Hand themselves confirm not knowing every link in the chain of causality. The thematic conflict between fate and free will isn't the only one weakened by omitting the Count's story from adaptations.
Griffith's own human conflict is so central to the plot that it saddens me to read fans say that he was always evil, that he could sacrifice the Band of the Hawk as cobblestones to pave the road to his dream because he never truly cared about anyone.
It's telling that the God Hand appeal to Griffith's aptitude for compartmentalization by making him believe that the Hawks would approve of being sacrificed; it's the kind of justification that resonates with him because those are the lies he's always told himself. But even that is not the reason for the final words Griffith speaks as a human being.
It must be someone important to you, part of your soul Someone so close to you that it's almost like giving up a part of you. By making such a sacrifice to demonkind His story exists for the sole purpose of establishing the rules and gravity of what happened to Griffith. Griffith can and will sacrifice Guts because he cares about him, not because he doesn't. Just as the God Hand tell the Count to bury his fragile human heart and transcend humanity so he will no longer know sorrow and despair, Miura cuts to Griffith pondering his destiny in the Golden Age.
Even if his fate is already preordained, the reason for his inhumane choice is an utterly human one. He must sever this bond for the God Hand's rationalization to work on his mind; he must choose to rid himself of pain. When Guts once again comes running to the rescue, Griffith finally reaches his moment of anagnorisiscompleting the thought that initiated the Eclipse. He will be reborn as Femto in a crowning, vicious, and deeply human moment of gut-wrenching sadness. The chain of causality that led him to this point wasn't the hand of God hovering above, but Miura's brilliant character writing.
He put his characters through hell, but he never betrayed their integrity as they formed friendships, animosities, and co-dependencies to reflect all the raw, beautiful, and terrifying aspects of human relationships. This scene is pretty much Guts arguing with his id. More direct comparisons between Casca and Griffith and how Guts feels about them. But these are his own doubts.
The Hound is suggesting he values Casca only as fuel for his rage. Again, this is essentially Guts internally debating what his true motivations are.
why didnt Guts and Griffith just stay best friends? (Berserk spoilers!)
Hell of a word choice. And then the Hound tells Guts to rape Casca so he can get closer to Griffith and I throw up my hands. The earlier parallels I described, Guts comparing leaving Griffith and leaving Casca, etc, draw an emotional connection between Guts and Griffith through Casca as, essentially, a bridge. Guts is assuaging his desire to go back and fix his mistakes by replacing Griffith with Casca and refusing to leave her.
This chapter draws a very direct sexual connection between Guts and Griffith through Casca as a bridge.
Berserk: Why Griffith is the Perfect Villain - Anime News Network
By raping the woman Femto raped, Guts can get closer to him. And it is, of course, not the first time the manga has done this. I feel like the stare the fucking stare omg speaks for itself.
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Ultimately my main takeaway here is that Berserk would be about x less fucked up and offensive if Guts and Griffith just cut out the middlewoman and fucked each other. So what about pre-Eclipse?
Does the same principle hold true then, back when Casca was an actual character and not just a plot device and projection screen for Guts?
And I would argue that it does. Their first emotionally intimate scene together, when they finally stop hating each other and start to bond as friends, is when Casca tells Guts her backstory, which happens to be almost entirely about Griffith. Finally, right before Guts leaves, Judeau introduces him to the concept of hooking up with Casca.
During the course of this conversation Guts does a kind of There are three possible explanations for this behaviour: Guts just wants to be a good bro and help his friends be happy together. Guts is sublimating his unconscious desire for Casca into trying to hook her up with Griffith. Guts is sublimating his unconscious desire for Griffith into trying to hook him up with Casca. And, just to throw something out there, once we establish that Berserk has subtextual, repressed sexual desire in this love triangle it only adds more validation to the other combinations.
Even if we are genuinely meant to read Guts as unknowingly attracted to Casca, it puts unknowing attraction on the table. Who else might he be unknowingly attracted to? Casca also apparently took some time to recognize her feelings for Griffith as potentially romantic.
But lol I digress. After Promrose, that fades away because Guts no longer views Griffith as reachable, rather, he puts him on a pedestal. This is when Guts starts pushing them together. Feels like repression at work to me.
He still intends to go back out and keep pursuing his own dream. Fast forward a year. Everyone sits down around the campfire. Rickert tries to explain things to Guts: Look what Judeau does!