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Sandra Mornay, who in league with Dracula plans to transplant Wilbur's pliable brain into the head of the Frankenstein Monster! Abbott and Costello Meet Frankenstein perfectly balances its straight monster movie elements with its broad slapstick.
Despite the rather peculiar Florida coast setting 's Son of Dracula and the following year's The Mummy's Curse had been set in Louisiana and its anachronistically Gothic island castle, the film is very much in keeping with the stylish look of Universal's '40s monster movies.
I wish I could have experienced the film when it was new and when audiences still found the monsters genuinely frightening.
They really were, too. Hand-in-hand with this is that while there are myriad verbal and sight gags as Bud and Lou scramble to get away from the monsters, there's a vital hint of real peril, that something terrible really could happen to them. I was struck, for instance, near the climax, when Sandra, scalpel in hand, is about to cut into Wilbur's skull.
It's not a joke. The high definition greatly enhances the viewing experience. The textures of the elaborate sets of the castle, the wonderfully moody lighting, the special optical effects animation of Dracula turning into a bat and back againthe special make-ups including Talbot's transformation into the Wolf Manand the animated by Walter Lantz main titles, all look far clearer and in a richer, less washed-out black-and-white than ever before.
John Carradine played Dracula in House of Frankenstein and House of Dracula, but Bela Lugosi, for only the second and last time in a movie, ultimately played Dracula here.
He was by this time singularly down-on-his-luck and aged, but Bud Westmore and Universal's make-up department make him appear healthier and heartier than he had in several years, or ever would again. Similarly, although heavy drinking was beginning to catch up to Lon Chaney, he makes an equally strong impression. It was for both a kind of last hurrah, and Lugosi especially is clearly having a ball. For decades after, the film was wrongly accused of disrespecting the old monsters, an opinion few share today.
Glenn Strange probably never had better billing outside of a few minor B-Westerns. The most visually striking of Frankenstein Monsters, even compared to Karloff's original, Strange in full make-up is truly creepy looking. The bulky costume with four-inch platform boots made it an arduous role but the costume and extensive makeup produced the classic image. The costume was a job in itself for Karloff with the shoes weighing 11 pounds 5.
Karloff was soon cast as Imhotep who is revived in The Mummya mute butler in The Old Dark House with Charles Laughton and the starring role in The Mask of Fu Manchuwhich were all released within a few months of each other in late These films confirmed Karloff's new-found stardom.
Horror, however, had now become Karloff's primary genre, and he gave a string of lauded performances in Universal's horror filmsincluding several with Bela Lugosihis main rival as heir to Lon Chaney 's status as the leading horror film star. While the long-standing, creative partnership between Karloff and Lugosi never led to a close friendship, it produced some of the actors' most revered and enduring productions, beginning with The Black Cat and continuing with Gift of GabThe Raven and The Invisible Ray Karloff reprised the role of Frankenstein's monster in two further films, Bride of Frankenstein and Son of Frankensteinthe latter also featuring Lugosi, with Basil Rathbone replacing Colin Clive as the scientist playing god.
Karloff revisited the Frankenstein mythos in several later films as well, taking the starring role of the villainous Dr. Niemann in House of Frankensteinin which the monster was played by Glenn Strange. He reprised the role of the "mad scientist" in 's Frankenstein as Baron Victor von Frankenstein II, the grandson of the original creator.
The finale reveals that the crippled Baron has given his own face i. More commonly referred to as Mr. WongKarloff's portrayal of the character is an example of Hollywood's use of yellowface and its portrayal of East Asians in the earlier half of the 20th century. Karloff appeared at a celebrity baseball game as Frankenstein's monster inhitting a gag home run and making catcher Buster Keaton fall into an acrobatic dead faint as the monster stomped into home plate.
The s and s L-R: Marjorie ReynoldsBoris Karloff seatedRaymond Hatton and Grant Withers in Doomed to Die An enthusiastic performer, he returned to the Broadway stage in the original production of Arsenic and Old Lace inin which he played a homicidal gangster enraged to be frequently mistaken for Karloff.
Inhe underwent a spinal operation to relieve his chronic arthritic condition. Isle of the Dead also and Bedlam completed the trio. He played children's music and told stories and riddles. Although the programme was meant for children, Karloff attracted many adult listeners as well.
Karloff left Universal because he thought the Frankenstein franchise had run its course. Berg wrote that the last installment in which Karloff appeared—House of Frankenstein—was what he called a "'monster clambake,' with everything thrown in—Frankenstein, Dracula, a hunchback and a 'man-beast' that howled in the night.
It was too much. Karloff thought it was ridiculous and said so". Berg explained that the actor had "great love and respect for" Lewton, who was "the man who rescued him from the living dead and restored, so to speak, his soul.
Hugo Hollingshead, a psychiatrist. McLeod shot a sequence with Karloff in the Frankenstein monster make-up, but it was deleted from the finished film. During this period, Karloff was also a frequent guest on radio programmes, whether it was starring in Arch Oboler 's Chicago-based Lights Out productions including the episode "Cat Wife" or spoofing his horror image with Fred Allen or Jack Benny.
Inhe was the host and star of Starring Boris Karloffa radio and television anthology series for the ABC broadcasting network.
During the s, he appeared on British television in the series Colonel March of Scotland Yardin which he portrayed John Dickson Carr 's fictional detective Colonel March, who was known for solving apparently impossible crimes.
Karloff, along with H.
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On The Red Skelton ShowKarloff guest starred along with horror actor Vincent Price in a parody of Frankenstein, with Red Skelton as "Klem Kadiddle Monster"', and introductions for The Veil but these was never actually broadcast, and only came to light in the s. Inhe played an eccentric Spanish professor who believes himself to be Don Quixote in a whimsical episode of I Spy titled "Mainly on the Plains".
Freddie and the two police officers, in an attempt to draw out the real killer, inform everyone that Freddie is in possession of a blood-stained handkerchief found at the murder scene. Soon afterwards, several attempts to kill Freddie are made, including gunshots at the window of his booby-trapped room, and locking him in a steam cabinet.
Eventually Freddie hears a voice that calls him to bring the handkerchief to the Lost Cavern. There he meets up with a masked figure who offers to save him from the hole he has just fallen into in exchange for the handkerchief. Freddie makes the mistake of telling the mysterious figure that he left it in his room. He is left in the hole, but is eventually rescued by the two police officers. Back at the hotel, everyone has gathered together and Sgt.